The basic element of any language or literature in the world is the alphabet (var?a-mala). The alphabet is the collection of letters. When they are expressed in writing, they are called letters. The manifesting Supreme Lord enters the Adharacakra of the living being with the vital sound. Then, the mind-manifesting subtle form is obtained and manifests in the form of mantra-svara-letters. This is the mother of the subtle and unmanifest form of the alphabet. These letters are indestructible. The Sabda-Brahmavadin’s call Brahma the eternal ‘Letters’, “Anadinidhana? brahma sabdatattba? yadak?aram ? Bibarttate?rthabhabena prakri?a jagato yata? ??” There is a mysterious mythological story about the creation of the alphabet. Lord Shiva, in his (ta??ava) dance, blew the (damaru) drums fourteen times. Probably to make the fourteen worlds resound. These are the ones together called ‘Maheshwara-Sutra’ or ‘Shiva-Sutra’. For the correct understanding of the meaning of the Vedas, six Vedangas were originated. Among them, the Vedanga called Siksa is one of the Vedas ‘Phonology’(Dhwanivijñan). Several letters are combined together to form letters. When we pronounce these colorful letters, an inclination of pronunciation, a breath or accent, and a strength or level of tone come with them. All together, there is a special meaning invested. There are five things in an axis. Namely - svara, varna, accent, matra, and viniyoga. 'Svara' means heaven, and 'Var?a' means glory, splendor, brilliance. This is about the glory and brightness of heaven Vowels. The voice of the gods is the voice of man. ‘Saptantrikanthosthitah swarah’ (Amarako?a) Vowels are sounds that become sounds or in the song of Udgata. Svara also means melody. The universal sacrifice of the self-creation of the power-infused Brahmana is the seed-shaped vowel alphabet. Therefore, the fact that letters are Brahma is not just a sage's saying, but also science and logic. The fact that ‘Sound’ and ‘Colour’ are the same is scientific today. Sound becomes an image in form and colour. Colour is the consonant of the vowel vibration. Just as in music, each raga has a special form and colour. They have divided colour into two parts, vowel and consonant. Like man and nature. Consciousness and power. Vowel is an independent, independent self, self-reliant. Eternal Being is without qualities. The vowel is Brahma Purusha in form and the consonant is natural. His power is manifested in the shelter of Brahma Purusha. Therefore, consonants cannot be pronounced without the shelter of vowel. The color diversity of consonants plays on the colorless surface of the vowel, and if the surface is removed, the image also disappears. The language in which the number of vowels is more, also has more vowels and consonants and diversity. Vowels are naturally clear and profound. The more vowels a language has, the more clarity and depth that language has. The radiance and brilliance, power and action of all the gods are in the form of vowels in the form of seeds. If vowels are considered as the seeds of creation, then consonants are the shoots of creation. Just as the soul is embedded in the shoots, similarly all creation is embedded in the consonants. ‘Bisbamatmagata? byañjan ku?astho jagada?kura?’. The infinite, infinite, impersonal Brahman is manifested in this consonant. ‘Prapañca? atmagata? sbasmin suk?marupe?a sthita? byañja?an praka?a?an sarbatra’. From the body of the Lord, the vowels arise, from touch, the consonants arise, from the senses, the four warm tones (Sa-?a-Sa-Ha), from the soul, the inner tones (Ja-Va-Ra-La), and from the blissful abode, the seven tones (?araja, rishabha, gandhara, madhyam, pancham, dhaivata and nisada) arise. Because the Lord Himself is the embodiment of the Vedas and Brahmana in the manifested and unmanifested forms. ‘Sabdabrahmatbanastasya byaktabyaktatmana? para?’. The Supreme Lord Himself appeared in the vastness of space and the vastness of the universe, the aditya-var?a of the world sparkled, the sounding speed and vibration arose, the chest of the celestial earth began to tremble, the space and this earth were a dense touch of sound, movement and colour, Brahma Himself with all of them. When seen from the divine perspective, all the gods are in the first five consonants. This body of ours is the base of all the principles, elements and qualities of the universe. The body is actually ‘var?abrahmaya vapuh’. The earth is rotating on its own axis or pole. This axis of the earth is A-k?a ‘Kshamerukaih’. That is, fifty-one alphabets from ‘A/?’ to ‘K?a/???’. All the alphabets from ‘A’ to ‘K?a’ are present in the axis of Brahma’s hand. The fifty-one broken beads on the neck of Mother Kali are actually the mother form of the alphabets. Mother Kali stands above the creation of time in a dark, sunken form. Her expression is this entire alphabet. This alphabet is the vibration of all the activity and movement of the great power. The alphabet is the subtle wave-chain (Tarangamala) of creative power.
The nature of the alphabet; The origin of the alphabet; The correspondence of the alphabet; The theory of words and their meanings, vowels and consonants; The mystery of the alphabet and its greatness.
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